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For O, part of her motivation for going all-out with her onstage style was to show anyone attending her gigs that you didn’t have to be white, male, and dressed in skinny jeans to be a rock star. “Christian and I just had the most fun,” O remembers. “We were really tongue-in-cheek about it, and we always wanted it to feel very DIY so that any girl anywhere in the world could see what we made and be inspired by it. Those deconstructed prom dresses, for example—you could just pick one up at a thrift store and go crazy with it, make it bespoke, then show up to the show and look like me onstage. I wanted it to feel accessible. We were thinking a little bit in terms of Madonna in the ’80s and how everyone was recreating her ‘Like a Virgin’ look. It was something fun and cheeky. We’ve gone through many different phases and eras of looks over the years, but at the heart of it has always been this kind of punk-rock, do-it-yourself spirit.”
After all, it’s O’s gimlet-eyed ability to pull references from different points in time, and fuse the highbrow with the low, that feels like her greatest sartorial signature. But so too does her aesthetic—one she describes as equal parts John Waters and Kansai Yamamoto—feel like a playful send-up of the scene she came up in, taking the stuffy formula of the rock singer who takes themselves (and their fashion) far too seriously and injecting it with a welcome dose of humor. “I mean, when Christian and I started making these stage costumes back in the early 2000s, it just wasn’t a thing: It was just a bunch of cool boys in, like, Members Only jackets and striped shirts and skinny black jeans,” says O, laughing again. “Which is a great look, but I was like: What are the women going to wear?”
For her Los Angeles date, however, O dipped her toe into new waters, enlisting the help of the Tokyo-based designer Yuima Nakazato to create a custom look inspired by an armor-like holographic bodysuit from his very first collection. “It’s the first time I’ve ever worked with him, but because with this record we’re kind of taking this bold step into a different place than we’ve ever been sonically, it just really lit up my imagination,” says O, who first discovered Nakazato’s work on Instagram. For Nakazato, designing for O felt like a full-circle moment. “It was interesting that Karen gave me an image from my debut collection as a reference—obviously it’s a very important collection for me, and it felt like fate that Karen was also paying attention to it,” he says, describing the final look as a blend of the “past and the future.”
Product detail for this product:
Suitable for Women/Men/Girl/Boy, Fashion 3D digital print drawstring hoodies, long sleeve with big pocket front. It’s a good gift for birthday/Christmas and so on, The real color of the item may be slightly different from the pictures shown on website caused by many factors such as brightness of your monitor and light brightness, The print on the item might be slightly different from pictures for different batch productions, There may be 1-2 cm deviation in different sizes, locations, and stretch of fabrics. Size chart is for reference only, there may be a little difference with what you get.
- Material Type: 35% Cotton – 65% Polyester
- Soft material feels great on your skin and very light
- Features pronounced sleeve cuffs, prominent waistband hem and kangaroo pocket fringes
- Taped neck and shoulders for comfort and style
- Print: Dye-sublimation printing, colors won’t fade or peel
- Wash Care: Recommendation Wash it by hand in below 30-degree water, hang to dry in shade, prohibit bleaching, Low Iron if Necessary
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